Losing Their Heads

2/19/19 Decapitation in Macbeth is a sign of the times. By Talley Murphy. From the early 1300s until 1660, heads lined...

Rocking Into Spring

Tyler Dobrowsky 2/19/19 Recently Associate Artistic Director Tyler Dobrowsky posed several questions to resident actor Charlie Thurston, who will be...

Non-Traditional Shakespeare Is Pretty Traditional

2/15/19 by Tyler Dobrowsky In Trinity Rep’s production of Macbeth — one of Shakespeare’s most famous plays, written in the...

The Song of Summer First Rehearsal

2/14/19  Maxwell Snyder, our Marketing Intern, sat in on the first rehearsal of The Song of Summer, written by Lauren...

An Exciting and Unusual Collaboration: Macbeth’s Context & Conversation

Rebecca Noon 2/8/19 By Rebecca Noon  In my role as the artistic associate for community, I pursue potential community partners, reaching...

Macbeth’s Looks That Kill

1/24/19 By Maxwell Snyder Now that Macbeth is about to go into tech and the finishing touches are being made,...

Welcome to the Cursed Play

1/22/19 By Caitlin Howle,  digital marketing coordinator The Scottish Play! Or, if you please, Mackers. McB. MacBee. The-Play-That-Must-Not-Be-Named. Just say...

Because You Probably Lied About Reading “The Odyssey” in Ninth Grade

1/18/19 We know, we know, it's been a long time since high school. In fact, you may have not even...

Morality & Honor, Superstitions & Witches

Tyra Wilson 1/18/19 Artistic Management Intern Tyra Wilson recently sat down to talk with Artistic Director Curt Columbus, who will be...

From the Executive Director: 2019 has begun

Tom Parrish 1/11/19 Your 2019 at Trinity Rep begins with the dynamic pairing of two contemporary adaptations of Homer’s epic...